Thursday, 17 November 2011
'Kill Bill Volume 1': opening scene analysis
There are many key features in the opening scene of 'Kill Bill Volume 1' that establish it as a thriller film.
Firstly, there is a sound bridge, connoting suspense, panic and tension. This anticipates the action in the next sequence, immediately putting the audience on edge and making them wonder what is happening in the scene.
The first shot is a high angle shot of a woman, who has been beaten and is bleeding. She is breathing heavily, which shows she feels threatened and frightened. This shot makes the audience want to know what happened to the woman, why she was beaten and who or what it is that she is threatened by.
During this shot, footsteps are heard on floorboards, seeming to be getting closer. This heightens the anticipation of the scene as the audience is unaware of who the person is, but assumes that they are a threat. Also, the footsteps are quite rhythmical, almost mimicking an increasing heartbeat.
The second shot is a low angle tracking shot of someone's feet walking across floorboards. This connotes a threatening character, as we are not shown the characters face. In fact, in this film, Tarantino creates an enigma, as the audience is not shown Bill's face throughout the whole film. Tarantino also does this in several of his other films, such as not revealing the contents of the briefcase in Pulp Fiction.
The scene then cuts back to the same shot as the first, and the threatening character speaks, saying “Do you find me sadistic?”. This makes the audience immediately aware that this character is the villain.
He wipes blood from the woman's face with a handkerchief with the name 'Bill' on it, signifying the importance of the character and reinforcing that he is the villain of the film. This action also seems quite patronising and degrading, reflecting his words as he speaks of how what he did to her was masochistic rather than sadistic. This also shows how he feels no remorse for what he has done.
There is a surprise element at the end of the opening, as the woman tries to speak for the first time, there is a gun shot and blood is sprayed onto the floorboards behind her head. This shows how Bill has no respect for anyone else. The fact that she says “Bill, its your baby” before he shoots her shows that he can shoot anyone with no remorse, as it is implied that she is the mother of his child.
The whole opening sequence is in black and white. Tarantino has chosen to do this as a tribute to classic thriller films, and also as an indicator of the fact that this scene is a flashback.
Monday, 14 November 2011
Preliminary Task Evaluation
We did not carry out much planning for our filming task, however I feel we did enough to have a good understanding of our storyline and the shots we would use. We made a list of different shots and the effect they would have on our film. We then chose which we would use – the ones which would have the most or best effect. We also wrote a script so we knew the basic storyline.
The 180-degree rule means that the camera cannot cross over a certain point, so that the characters stay on the same side of each other. This is in order to not confuse the audience. We found that this rule was quite difficult to follow, and made several checks and adjustments to ensure we kept to it.
We began our film with a high angle panning shot to show the character as vulnerable and to establish the location. We then used an over-the-shoulder shot as the character walked into the building. This was to make the audience feel as though they were following the character through what she was doing. We used match on action throughout the beginning of our film, as this creates an impression of continuity. For our conversation, we used shot reverse shot, as this gives the impression that the characters are facing each other as they are shot facing in opposite directions. This is where the 180 degree rule was important, as if it was broken the scene would become confusing.
In editing, I learnt how to cut out scenes that were not needed, and how to ensure the film flowed correctly. What made this simple was the linear narrative, however we changed shots a lot, which meant it was quite difficult to match it all up to be continuous.
The 180-degree rule means that the camera cannot cross over a certain point, so that the characters stay on the same side of each other. This is in order to not confuse the audience. We found that this rule was quite difficult to follow, and made several checks and adjustments to ensure we kept to it.
We began our film with a high angle panning shot to show the character as vulnerable and to establish the location. We then used an over-the-shoulder shot as the character walked into the building. This was to make the audience feel as though they were following the character through what she was doing. We used match on action throughout the beginning of our film, as this creates an impression of continuity. For our conversation, we used shot reverse shot, as this gives the impression that the characters are facing each other as they are shot facing in opposite directions. This is where the 180 degree rule was important, as if it was broken the scene would become confusing.
In editing, I learnt how to cut out scenes that were not needed, and how to ensure the film flowed correctly. What made this simple was the linear narrative, however we changed shots a lot, which meant it was quite difficult to match it all up to be continuous.
Tuesday, 18 October 2011
Thriller Films I Have Viewed
Donnie Darko (2001)
Directed by Richard Kelly
This film contains:
-suspense
-ultra-heightened expectation
-uncertainty
-menace/danger
-dangerous situation from which escape seems impossible
-a high level of anticipation
-troubled characters
-dimly lit locations
Black Swan (2010)
Directed by Darren Aronofsky
This film contains:
-intense excitement
-suspense
-a high level of anticipation
-ultra-heightened expectation
-uncertainty
-anxiety
-nerve-wracking tension
-menace/ danger
-a menacing situation
-innocent victim/ phsychotic individual
-people involved in twisted relationships
-greed/ envy/ jealousy
-dimly lit/ shadowy scenes
V for Vendetta (2006)
Directed by James McTeigue
This film contains:
-intense excitement
-suspense
-a high level of anticipation
-ultra-heightened expectation
-uncertainty
-anxiety
-nerve-wracking tension
-menace/ danger
-a menacing situation
-criminals
-characters with dark pasts
-political conspiracy
-dimly lit urban streets/ locations
Directed by Richard Kelly
This film contains:
-suspense
-ultra-heightened expectation
-uncertainty
-menace/danger
-dangerous situation from which escape seems impossible
-a high level of anticipation
-troubled characters
-dimly lit locations
Black Swan (2010)
Directed by Darren Aronofsky
This film contains:
-intense excitement
-suspense
-a high level of anticipation
-ultra-heightened expectation
-uncertainty
-anxiety
-nerve-wracking tension
-menace/ danger
-a menacing situation
-innocent victim/ phsychotic individual
-people involved in twisted relationships
-greed/ envy/ jealousy
-dimly lit/ shadowy scenes
V for Vendetta (2006)
Directed by James McTeigue
This film contains:
-intense excitement
-suspense
-a high level of anticipation
-ultra-heightened expectation
-uncertainty
-anxiety
-nerve-wracking tension
-menace/ danger
-a menacing situation
-criminals
-characters with dark pasts
-political conspiracy
-dimly lit urban streets/ locations
Camera Angle Stills
Extreme Close up
Close up
Medium Close up
Long Shot
Establishing Shot
Tilt Shot
Low Angle Shot
High Angle Shot
Bird's Eye Shot
Close up
Medium Close up
Long Shot
Establishing Shot
Tilt Shot
Low Angle Shot
High Angle Shot
Bird's Eye Shot
Thursday, 13 October 2011
Winter's Bone - IMDb User Review
Neo noir, with a twist of white trash.
1 February 2010 | by dwight ward (United States)
This shockingly diverse film offers numerous delights to the viewer. Beginning with simple title credits, and ending in a beautiful display of foliage. Winter's Bone will grab your attention and never let go.
Based on a novel of the same name, it's the story of a seventeen year old girl who is searching for her missing father. Sound like something you've seen before? Well it's not! The basic premise surrounds itself with remarkably new idea's and situation's. A feeling of noir envelopes the screen and each character and action leads you on a most enjoyable journey. The Actor's and more importantly Actress, are dug so deep into their characters that there isn't a single fake second.
Debra Granik does an amazing job in the director/screenwriter role. Her vision entangles the story together and propels it forward to the unforgettable climax. The world that is shown through this film is one i was unfamiliar with, but after seeing it all i can think about is the life those characters lead. And how different it is from my own.
A film that deserved the grand jury award at Sundance and one which I plan to see again. Winter's Bone is a film for everyone, be you young, old, or in the middle. Just walk into the cinema with an empty plate and you will leave filled.
1 February 2010 | by dwight ward (United States)
This shockingly diverse film offers numerous delights to the viewer. Beginning with simple title credits, and ending in a beautiful display of foliage. Winter's Bone will grab your attention and never let go.
Based on a novel of the same name, it's the story of a seventeen year old girl who is searching for her missing father. Sound like something you've seen before? Well it's not! The basic premise surrounds itself with remarkably new idea's and situation's. A feeling of noir envelopes the screen and each character and action leads you on a most enjoyable journey. The Actor's and more importantly Actress, are dug so deep into their characters that there isn't a single fake second.
Debra Granik does an amazing job in the director/screenwriter role. Her vision entangles the story together and propels it forward to the unforgettable climax. The world that is shown through this film is one i was unfamiliar with, but after seeing it all i can think about is the life those characters lead. And how different it is from my own.
A film that deserved the grand jury award at Sundance and one which I plan to see again. Winter's Bone is a film for everyone, be you young, old, or in the middle. Just walk into the cinema with an empty plate and you will leave filled.
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